
At 22, Julie Nauthonier found herself leading an orchestra of 80 musicians. She hadn’t planned it – hadn’t even dreamed of it. “I was a student at the École du Louvre and played in an orchestra. One day, they asked me to conduct it so I said yes right away. I had no training, just a strong desire to share, unite, and inspire a group.”
What started as a student job quickly became a calling. In 2019, Julie joined ESSECa dual-degree program with the École du Louvre. In Singapore and later in Cergy, she discovered a space that encouraged entrepreneurship. “I came to ESSEC with a clear project: create FENIX. It was the perfect fit. The school gave me the tools to structure my idea and the freedom to take risks, as well as financing, marketing, communication, and finding clients. Thanks to ESSEC, I can do it all.”
Self-taught, she learned by doing. She shaped her own style as a conductor – demanding yet caring. She became a leader who listens and draws out the energy of the group. “I had to prove myself as I was the youngest and the only woman. I had to invent a way of leading that felt true to me.”
Julie believes in horizontal feminist leadership, based on listening and co-creation.
“I don’t lead with ego. I try to bring out the best in others. I work with what they bring.”
Today, she puts this leadership into action through FENIX Project, a musical social enterprise launched in late 2023. Its mission: empower women through Brazilian percussion, or batucada. FENIX creates all-women drum groups in shelters, prisons, and centers for women facing hardship, poverty, violence, or social reintegration. The goal: rebuild self-confidence through rhythm and collective energy. “Music becomes a tool for transformation. They take up space, make noise, become visible.”
FENIX uses a hybrid model: nonprofit workshops, business services (B2B), and open sessions for all women (B2C). “In companies, we build drum groups to manage stress or boost teamwork. It’s like batuca-therapy for the workplace.”
Today, FENIX brings together 30 volunteers, runs workshops across France, and works with corporate clients. Julie’s long-term vision: create a full art therapy agency mixing music, dance, theater, and paintings. But for now, she’s simply enjoying the ride.
“I’m exactly where I’m meant to be. I make a living doing what I love. I feel aligned.”

And what better place for a musician and a conductor of orchestra to celebrate her graduation than the Philharmonie de Paris, in 2025? “It was magical. A timeless moment. The result of a journey I never planned, but one that feels profoundly right.”